"My work revolves around the intertwining of time, space, and movement. The phenomen of falling and folding runs through all my works and stands metaphorically for a compression of space and time, the collapse of here and there, of now and then. Constructed splinters and corners, triangles and spaces seem like fragments that have been violently blown out by force – by the pressure of time, by unlimited progression and acceleration. These constructed fragmentations are bound between a before and after – as John Torpey writes: "when the future collapses, the past rushes in".
I experience space as limited and expandable. Through the rythm of unfolding and folding I aim to capture a moment in time that encompasses both: the connotation of a lost gaze and a new way of seeing – an unfolding process as a movement towards diversity and potential." Katja Strunz
Die Welt ist alles, was der Fall ist, und alles, was der Fall sein kann. Anton Zeilinger
Katja Strunz, (*1970, Germany) lives and works in Berlin.
Her work has been featured in solo exhibitions at venues such as the Berlinische Galerie in Berlin, Camden Arts Centre in London, the Museum Haus Esters in Krefeld. She participated in the 30th. Sao Paulo Biennale; the 55th. Carnegie International in Pittsburgh and in numerous group exhibitions at the Pinakothek der Moderne, Munich; Haus Konstruktiv, Zurich; Guangong Museum of Art, Guangzhou, China; Centre Pompidou, Paris; Hara Museum of Contemporary Art, Tokyo; Kunsthalle Basel; among others.
Barbara Kuon (auth.): “Katja Strunz. Construction of decay“, Contemporary Fine Arts (Ed.), 100 pages, Köln 2009.
Barbara Kuon (Aut.): „Katja Strunz. Einbruchstellen“, Contemporary Fine Arts (Hg.), 100 Seiten, Köln 2009.
Bringezu, Stefanie: Katja Strunz: Raum Zeit. In: Artmapp, Sommer 2014, Saarbrücken.
Schneider, Hella: Interview: Katja Strunz. In: Interview Magazine Germany, online, 24.04.2013.
Gebbers, Anna-Catharina: Katja Strunz. In: artist Kunstmagazin, No. 58, 01/2004 / pp. 30-33.
Eichler, Dominic: Something old, something new. In: Frieze, Nr. / No. 74, 04/2003, S. / pp. 84-85.